Sammy's blog

Roll Over Ezra, Mousetraps at Fukushima Daichi, Defying the law

On Harriet, the Poetry Foundation blog, check out Cornelius Eady on word-drunk music, roots in the blues, and the arc of his band Rough Magic. Five songs from Book of Hooks are up on ReverbNation in joyous, electrifying rehearsal and live performance versions. 

As poetry month waved goodbye we found a flurry of interesting links in our inbox: Blue or Green, by James Galvin. Christian Anton Gerard's defense of poetry on The Rumpus. Ploughshares' column "in the spirit of radical, attentive listening" by Major Jackson. Miniature books have their own library. James Patterson raises the alarm with print ads on the future of the book. 

Fukushima is called the second worst nuclear reactor disaster in history, Chernobyl being the only one worse. Fukushima is a rolling disaster--almost making Chernobyl seem nicer, at least more clear cut. Now Tepco has covered 48 acres with water storage tanks and the power company is poised to cut down an entire small forest nearby, just to clear space for more tanks. Normal mountain snowmelt runoff through Fukushima to the harbor is flowing into the broken reactor buildings, and must be pumped back out at the continuous rate of 75 gallons a minute, or it will flood cooling systems.

The water they pump out is highly radioactive. They planned to run it through a fancy filtration system and dump it into the ocean--the filter removes all radioactive contaminants except Tritium, which lets off very low level radiation, harmful only if ingested. Nuclear reactors release Tritium into the local water supply every day. But Fukushima harbor's water registers 100 times the "acceptable" limit of Tritium contamination already, and the proposed dumping raised a public outcry. The first plan, underground storage tanks, already failed--that's when they moved to the above-ground tanks now covering the area. The story gets either better or worse (depending on your taste for gallows humor)--take the rat who got fried while gnawing power cables, an accidental suicide that caused a blackout, disabling cooling systems of four fuel rod storage pools. Solution: mousetraps throughout the facility, and then, yet another power failure as Tepco workers installing wire nets to keep out the vermin trip the very same cooling system. If they make it into a movie we'd need to cast the Three Stooges.

Every day these days, truth gets weirder than fiction.  

Which brings me to turtles. No seque, I just want to tell you about the turtles. Walking around the lake, wildly mating carp broil the shallows here and there, and sunning turtles stretch out on downed tree limbs that reach into the lake like piers. Visiting turtle town always makes me happy. You have to be quiet or they slip off their perches and plop into the water. A bunch of the bigger turtles didn't budge the other day when we snuck past. The forsythia are going to leaf, the lilacs have finally burst, there are redwing blackbirds swooping from tree to tree and swallows zigging above the dam.

Back home, I let a bee off the screen porch just as one of the wompus cats was about to grab it. Sometimes a good deed ripples out nicely, defying the law of unintended consequences. Any day you get a reprieve is a good day. Everything feels a little brighter, a little sweeter. 

There were so many readings and festivals this past weekend you'd think it was still Poetry Month. May your ears be filled with poems, with music, with the stuff that feeds your spirit.

with love,
sammy

 

Whiskey & water, Police at the door, Pam Uschuk, Digital resale, Redemption by landscape

Whisky is for drinking, water is for fighting.

In Montana there's a dispute over water rights on a reservation now populated by three whites for every Indian. Do you ever start out to talk about something only to realize you must first backtrack to wrestle a foundational semantic knot, and as you tug the knot only tightens? 

A tribal leader refers to the reservation as "our homeland."

Reservations were concentration camps to which Indians were forcibly removed (many perishing along the way), and with the original intent that Indians would die there, in isolation and exile. Water rights are the wealth of the future. What high irony indeed, if Indian tribes wound up controlling agricultural water access in this country.  

A policeman knocked on our door. It was late Saturday evening. A house on the block that's been vacant for a long time had been broken into and stripped that day, in broad daylight. I was relieved to hear that a witness described four white guys, who smashed in a glass on the back door and proceeded to load into their red truck appliances, copper piping, radiators. I had the same reaction to the marathon bombing: Please let the suspect be white. What gets unleashed in this country when crime suspects are identified as people of color is so ugly. In Boston this Sunday a priest called explicitly for people to avoid conflating all Muslims with bombers. You'd think we wouldn't need that admonition, we'd be more discerning, but you'd be wrong. A friend of mine apologized for feeling pity for the surviving suspect. I saw the stories from his high school and college buddies. I feel sorry for him too, and it doesn't take anything away from my grief for his victims. It's so much easier to imagine evil acts are committed only by some sort of monster but sometimes the monster looks disturbingly like us. 

Split This Rock sent out a poem by Pam Uschuk this week, and I was moved by her voice at a moment when many of us are mute with some amalgam of grief and perplexity. 

I've been reading one of Henning Mankell's novels aloud of late, so I was surprised to find an Op-Ed in the Sunday Times about racism in Sweden, one of Mankells repeating themes. Using genre fiction to carry deep moral and cultural excavations is a nifty trick, and of course there is that ineffably crisp writing of Mankell's. 

Resale of digital books has now been forbidden by courts in at least two countries including the US. The resale of digital copies of music remains a bit murkier. The marketplace continues to wrestle with new forms as the arts increasingly are purveyed digitally, disseminated over the internet. It reminds me how recordings had no-copy technology embedded, on tapes and CDs. Part of us wants to share art freely and part of us understands that this translates to poverty for the very people creating the art. 

Dominique Browning's interview with Sebastiao Salgado in this weekend's Times includes a beautiful photo essay. At the close of the interview Salgado speaks to some kind of redemptive power in art, saying that his work is not about landscape, but about love: "With this project, I fell in love with my planet."

 
with love,
sammy

 

 

Boston, Going postal, Neruda's remains, Victor Jara, Your patented DNA

Cleveland rapid transit and one downtown section of highway are closed down today due to discovery of a suspicious item in a Rapid station. Our hearts are with friends and colleagues in beloved sister city Boston, which we so recently enjoyed along with over 11 thousand other AWP attendees. 26 thousand runners started the race yesterday in the city where the modern marathon was born. We are grateful to all the first responders and ordinary citizens who acted not out of fear, but the instinctive desire to be of help.

On tax day I couldn't get the song If I Were a Rich Man out of my head. Despite the long line of last minute filers, we got a dozen packages out yesterday, and I gave thanks yet again for our postal service. Small businesses like the wompus would be skunked without them. Shipping our books by private delivery service would triple our costs, or more. (This is also what stops me thinking about moving to Hawaii, one of the most magical places I have ever visited).

What do you think about the exhumation of Pablo Neruda's remains? The court decision permitting this reanalysis (an attempt to prove Neruda died not of cancer but by poisoning) has triggered fierce debate. In the NY Times, Ilan Stavans complains that this exercise is unlikely to yield any useful new information and that in any case, the poet's work iself should be the focus of historical investigation. He cites all the many details we already know about the crimes of the Pinochet regime, such as the torture and murder of folksinger and activist Victor Jara at the hands of Chilean security forces not long after the violent coup which overthrew Allende and installed the military dictatorship in Chile.

If others had not escaped the mass imprisonment that led to Jara's death we would not now have that story--and what a sobering story it is, of a man known round the world for his songs, whose fingers were delberately and viciously broken after he was rounded up, who was taunted then to keep playing his guitar in that condition and who continued instead to sing the new song he was writing about the very brutality to which he was being subjected in that stadium where he was soon to be taken apart from his fellow captives and shot. What more articulate affirmation of the power of art.

A few years ago I had some genetic testing done in order to help target my treatment for a serious illness. At that time there was exactly one laboratory anywhere in the world which could test for the particular genes in question. The cost was mind-blowing but it turned out I only required the first phase of the tests and most of it was covered by our insurance. Now the supreme court is hearing a case about Myriad Genetics' right to patent a particular gene sequence of the human genome, which I find even more mind-blowing than the expense of testing for it in a monopoly context. The complaint is not new: Why, they ask, would a corporation invest in expensive research if it can't profit from the results, which it can only do with patents (otherwise their result can be replicated by companies electing to price access far lower).

A republic, if we can keep it. That phrase keeps running through my mind. It's so critical for us to embrace the humanistic and altruistic exemplars before us. The example of a city and a hospital system responding so effectively to a mass casualty event. Government, community institutions, belong to us, as we belong to each other. And substituting understandably profit-motivated corporate directives for community interest, public interest, is a sure recipe for erosion of the republic. Goverment only works for us if we make it. Nobody is talking about the gutting of tax-funded medical and scientific research over the past three decades, but Myriad Gen's attempt to patent our genes is a direct outgrowth of our having ceded that research to corporations. 

Today I keep seeing our deep need for story. Though there is little real news, I turn on the radio, the TV, pull up news on the net, needing to hear the stories from Boston, to stay attuned in the wake of this event. Story, this ancient way that we humans make meaning of our world, is the reason art, and specifically literature exist, no less essential to us than medical care for the injured and ill.

 
with love,
sammy

 

Stone Cold Jane at the Roller Derby, The Writer's Audience, Hostility to Intellect

We love bookdress. The sheer creativity, the humor, the meta of it just makes us smile.

Speaking of generous writing, Cornelius Eady is performing cuts from Book of Hooks and a bunch of other music and poetry all around the country. From Iowa, an interview on public radio. And on The Rumpus (one of our favorite literary hubs), a great selection from Hooks"Stone Cold Jane." You can read the lyrics and liner notes, play the song, and marvel at a photo of the Lit Prof/Roller Derbyist who chose Jane Austen for her roller derby handle. (Who could resist writing her a theme song?) Cornelius and his band, Rough Magic, will perform in Brooklyn, NY at the Poetry Salon April 24th at Greenlight Books, along with Stevie Edwards and Safia Elhillo, or you can catch Cornelius the day before, April 23 in Rochester, NY, at Writers & Books community literary center.

Never mind the robin we found in the street the other day. What I want to say is this: A lot of good writing comes across my desk, and in rare instances the reading and response leads to further conversations. I am at the moment immersed in two such illuminated exchanges and I am grateful for the way they make me think and feel more deeply, with more discernment, about art and about being human. 

One of the subjects which has come up differently in each correspondence is the problem of overly smart writing. By this all I really mean is the writer employing language or techniques that go over a given reader's head. There are several ways one might respond when encountering such writing. You could say, Ugh, so pretentious, can't you use smaller words? You could say Not my cuppa tea but more power to ya. Or if like me you've had these particular criticisms leveled at your own work on occasion, you might say Wow, whilst enthusiastically grabbing a dictionary. You might revel in the luminous intellect on the page as a holy thing, as holy as honest emotion. You might not have come to art in order to be massaged, but more, to be woken up. No, I'm not advocating for snobbery in print. I'm saying that those artists who lead with intellect can be thrilling to read, and can lift our view to places we haven't imagined. It has nothing to do with being academic (which I am decidedly not). But America is not a country known for its love of intellect. Maybe that's enough reason to question the hostility in some literary circles, against writing which requires active intellectual work on the part of the reader, and not just emotional, absorptive response. 

Which leads naturally into a discussion of audience. What is your goal as a writer? Do you agree with those who say anybody should be able to freely walk off the street and into your poem, your story? Should it be exactly that accessible, that easily opened? Or do you want the reader to work a little, to invest in peeling open the poem? (It's not of course all that black and white--hardly anything ever is.) Are you a Big Tent reader like me, happy to move between these positions ad lib and appreciate each for its virtues, its pleasures?

That robin probably survived. I'll save you the painful details, but we think it was the same one who landed on the fence a couple hours later, and stayed very near us. These birds are ground feeders and they don't seem too quick on the uptake when cars approach, so watch the pavement when you're behind the wheel. I hope spring has found you, here at the taxing heart of April. It's coming in fits at the wompus, but finally the forsythia have burst and the daffys are in fine form, the lilac buds are surrounded by little pea green leaves, and after several days in the forties we are actually working today on the screen porch, in the sunshine, birdsong and diesel motors filling the air. Here on the north coast, warm weather means power tools at work in the neighborhood and orange barrels sprouting on the asphalt...

For a little Po Month fun, check out McSweeney's Daily Haikus from Dan Chelotti

And speaking of Poetry Month, there are a half dozen more readings upon us which I will likely miss, as I have missed most of the offerings this year. Nothing personal, I've just come to accept my own energy rhythms, and I'm too immersed in writing just now and too busy with the press, to pry myself out into the world very much. Are you one of those people who get energized by readings? Who go home and take up a pen--or can't even wait that long and start scratching out something sparked by the reading while it's still flowing around you? Or do such events leave you mulling and churning for hours afterwards, processing all the sensory input, the poems, the people, the conversation? If I had ten hours' more energy each week, I still wouldn't go out much these days, I'd walk more, get into the woods more, sit with my back against a tree more. Meditate more. Cook more. And then when I finished all those things I'd be raring to go to two or three readings...  

Lifting a Poetry Month glass in absentia, 
with love,
sammy

Around the wompus, Secondary markets

Susana Case has a new book out, Elvis Presley's Hips & Mick Jagger's Lips. We were lucky to hear some previews when she read at Cornelius Eady's AWP off-site event.

Ann Cefola is one of 85 poets from 7 countries tagged to post a poem each day, in Found Poetry Review's Pulitzer Remix. You can receive these poems, extracted from Pulitzer winning books, in your inbox all month.

Connotation Press's guest editor, Adam Tavel, has posted an interview with Eric Anderson, who talks about his approach to writing, putting together a book, finding a title, and his cover art. Read some new poems by Eric at the end of the interview.

In the review review's interview, Dan Chaon discusses "What Writers Can Learn From Rock Stars." Chaon is a big proponent of annual anthologies as a window onto contemporary fiction, and he complains that young writers don't read enough of their contemporaries. I read a critique of this view on another blog--I don't recall which blog--where a young fiction author complains in turn that too much contemporary fiction is boring and predictable. But he didn't give a single example. I think if you're going to call out your contemporaries for sub-par writing you'd best be prepared to back it up, otherwise it's just sour grapes. Apart from that, I read Chaon as putting forth the notion that the artist exists in context of the art of his or her time, and that to be in touch with that context is the only way you can partake of its conversation, of the evolution of the form in your time--even if that participation consists of you rejecting what your contemporaries are up to and going in a whole nother direction. This is not that different from saying writers should be exposed to the canon. We do not create in a vaccuum. 

Re-Digi, a snall company which opened a resale platform for songs purchased from such digital retailers as iTunes, lost in court in a case that pits copyright (intellectual propery rights) against the "first sale doctrine" which is the legal principle by which you are allowed to resell a book, for example, which you purchased from someone else, even though said book remains under copyright. What I draw from this mess is that our laws are drastically outpaced by our technology. If anybody out there has the vision of how this conflict is resolved without decimating the ability of author and publisher to garner even a modest income stream from their labors, I am all ears. The power of the internet, and of digital expression in general, is changing the way we read, the way we communicate, and the nature of commerce--even the nature of what constitutes an "object" and what "owning" said object really means. 

Welcome to the carnival, please pass the motion-sickness meds...

snow flurries & daffodils,
sammy

Indefensible Marriage Act

That title on a NY Times opinion piece simply signed The Editorial Board made me happy yesterday morning.

Cornelius Eady's Book of Hooks AWP perfomance is reviewed in Hinged: Journal of Converging Arts.

Several people on a book arts list objected to another member posting a link, about Amazon having signed a contract to create an ultra-secure cloud chamber for the CIA. I re-posted that link here and I'm adding a confiirmatory link to DailyTech's article. We're talking 10-year, 600 million dollar CIA contract here. Will this CIA partnership ooze over into Amazon's other affairs? Does it matter who you're in bed with? 

There is a killer poem of the week by Jacob Rakovan up on Split This Rock. Rakovan's poem struck me close to home because I recently learned that one of our staff grew up the child of a coal miner. Once you see your own life in stark political relief it is impossible to un-see the political layer sewn through our lives. That's how some people feel, while others are able to neatly cordon off politics from art.

Is it helpful to live in a protected art bubble? My engagement with the world is inextricable from art so for me it's not really a choice. Being political for me is a side effect of breathing, the irrepressible expression of compassion.

Uber-intern Darla suggested the movie Perks of Being a Wallflower, which wound up far surpassing expectation. I forgive its lapses because it captures so well a certain bittersweet, at-risk intensity of mid adolescence, and because it feels true where it touches the depth of anguish that can lead to suicide and other, less final breakdowns. One of the characters in the film asks, How do you not feel all the suffering? He is, of course, an aspiring writer... This may be one of the books I have to dig up after seeing the film version.

One of my early mentors used to quote Gertrude Stein: One does what one can, and some of what one must. Today is a some-of day for me. Past experiences have led me to conclude that procrastination in small doses may actually be to greater purpose, and that purpose for me is usually timing. I am not espousing a philosophy of putting things off per se. I'm just saying sometimes, when you accomplish a task "belatedly" it turns out to be exactly the right time, for reasons you could not have known. 

Maybe it's spring fever, the sun is kissing the north coast today and all I can think about is travel and faraway friends, LA, NYC, NOLA, Cape Cod. Tomorrow I'm going for a hike out by the river but I can't wait that long. I have to strap on my boots and pay my regards to Doan Brook, the Shaker Lakes, any little bit of wildness I can walk to. It's been too long.
 
 
spring hugs at last,
sammy

 

Inbox: Po Month, Cloud Spying, Contract Dispute, Farewell Achebe, Rick Moody

An email from Knopf beginning: Poetry Month is almost here. Ugh. Yes, I hate poetry month, both because it implies the rest of the year is NOT poetry time and because it erupts with a relentless stream of poetry events, emails and general frenetic activity which is impossible to absorb or even catch as it flies past. And yes, it does some good, no doubt, pushing poetry out to people who might otherwise have no truck, or not realize how much there is to love.

A colleague posted this Occupy Corporatism article, CIA Partners With Amazon for Cloud Surveillance & RFID Locators. The gist is that the CIA just contracted Amazon to flip them data on their users' cloud accounts--whilst at the same time, those users are encouraged to do absolutely everything but their bathroom business "in the cloud." Raise your hand if you think this bodes well for privacy, citizen activism, democracy. 

In the book biz, the shifting sands have left one of the big publishing houses scrambling for traction as Barnes & Noble leans on the contract with Simon & Schuster. This sort of pressure tactic is not new in the publishing/distribution/sales world of book marketing (see: Amazon, recent history) but this particular dispute pushes the question of whether our last brick and mortar big box bookseller will survive, and what it would mean to publishers (specifically, the big ones) if they do not. 

What can we say on the passing of Chinua Achebe? From his oft-quoted 1994 Paris Review interview: 

until the lions have their own historians, the history of the hunt will always glorify the hunter

Latest in-love-with book: Rick Moody's 2012 offering on the relationship between literature and music, On Celestial Music, and Other Adventures in Listening. I had to read the first couple pages aloud to wompus staff (yes, I had to, it was completely irresistible), who paused in stitching hand-bound chapbooks to listen. The killer opening left us all wanting a copy. 

With love,
sammy

"My life is over" (or Redemption's Open Door) with a pre-script (is that a word?) on the reinvention of the novel

As usual, Hyperallergic is ahead of the curve. Check out their review of Chasin's new novel, Brief, which is construed as an iPad app.

Continuing in the new technologies vein, Slate has an interesting piece on the prosecution of Matthew Keys for a tiny little Onion-like hack of the LA Times website by Anonymous, reminding us why we need to care about internet freedom, the justice department's overreach and the legacy of Aaron Swartz.

Upon hearing the guilty verdict this week, one of the boys convicted of the infamous Steubenville rape turned to his lawyer and said "My life is over." The narcissism of perpetrators never fails to surprise me. To their credit, both boys convicted of the assault then faced the survivor and her family and made a brief, emotional apology. Like that of the young Indian student brutally assaulted on a bus who later died of her injuries, this case is a hallmark of the power of global connectedness to bring justice--the irony in the Steubenville case being that it was the perpetrators themselves who made the story graphically public. 

You could say a lot of other things about the pattern of social media outrage viralizing acts which in another time would have gone unremarked, in some cases even in the community where they were perpetrated. On balance it is a good development, like the use of twitter and other social media for democracy uprisings. 

What I liked about Denzel Washington's movie, Flight, was the ending. (This isn't as much of a non sequitor as it sounds. Or maybe it is.) There were a lot of other things I thought were pretty great about that movie too, and I can only assume that politics were behind its total lack of recognition in the awards festivals. I mean, Argo was a good movie, but what makes it so much better? Flight is a brilliant old fashioned action movie during the in-air scene. But the core theme is about addiction, moreover, about high-functioning addicts, and in the end it arrives in the zone of 12 Step philosophy, recognizing the bottom line moral questions spawned by the addict's bad behavior and its ripples out into the community. Sometimes I think the awareness of addiction and the real hope of recovery offers us the most powerful metaphor of our times, a lens through which we could profitably examine every level of personal, and governmental bad behavior. My very favorite book on this topic was Gerald May's 1988 Addiciton and Grace: Love and Sprituality in the Healing of Addictions.

Redemption is a tricky subject for the contemporary artist, but when we disallow the possibility, we paint a desperately dark picture of our possible collective futures. 

Soup is on at the wompus today. The last wisps of winter have us chilled. Our soup always turns out more like stew. It says something about the cook, that an overenthusiasm for adding solid ingredients leads to this, and we're never sorry. We're looking at an early seder here because of who's home and who won't be anymore, come the actual advent of Passover next week. I don't personally cotton much to organized religion, but this is one holiday I celebrate, and if you're not familiar here's a heads up: Passover, and specifically the seder (a ritual reading and meal on the eve of the holiday) concerns itself with the enormous topic of slavery and freedom. It's about the ways in which we are all connected, and how none of us is truly free until we all are.

As such it strikes me as the perfectly ecumenical holiday, and for me the Hagaddah, which tells the traditional Passover story, constitutes the metaphorical framing of this point of view. There's a moment during the seder when we open the front door and invite a mythological figure (whose glass of wine sits on the table) to join us. There are some other pretty wild elements in the ritual--for instance, it's considered obligatory that each participant drink 4 glasses of wine during the course of the evening (I don't have the liver for it, but plenty of people are happy to comply). We've invited friends this year who are not Jewish and have never attended a seder, as well as some who do this every spring. A solemn side of the night for me is the way it inevitably turns my focus back to the mess of Israeli policy on Palestine, with all its inherent, disturbing, deeply embedded contradictions. 

My hope for that situation lies in the progressive movement epitomized by J Street and the existence of progressives united for justice evident even in this NY Times story on the Intifada. But also, signified by a young woman close to my heart who after many years in the Israeli military has  changed her mind about Palestine, and about her government's policy. 

If we pay attention, we get these reminders that people can change, in deeply meaningful, even life-altering ways. That our hearts can open, our minds can open, the evidence of suffering and injustice can penetrate our dearly held prejudices. Denzel's character in Flight discovers that the need to do right dwells deeper than anything else, and that redemption can start with the simple act of speaking the truth--even knowing that you will suffer for that act. Spring's approach, with its spiritual resonance of rebirth, offers us a moment to pause and affirm our membership in, and our compassion for the collective community. 

with love & flourless chocolate cake,
sammy

p.s. stay tuned for a review of the newest iteration of that cake, incorporating chick peas [collective gasp] and beets (nope, they don't turn it red)

Literary slut

I drove home from the airport this morning before dawn in white-out snow, a pickup, the red-eye from LA. All the past week has been like this, noticing sign after sign of spring, even as the winter storms continue to roll over us. I woke to the alarm at 5:20, from a dream of two TV characters who in the dream were real, and living (teaching?) on the campus of Stanford (with which I have no particular connection). Weird. I stumbled out of bed to check the flight, which was listed arriving way early, and hustled out gingerly to the car, testing the pavement of the driveway in my boots. Only a little slick, but I drove cautiously, there have been spin-outs around here morning after morning, of late. 

I didn't sleep much last night, not just because of the early airport run. We'd driven down to Hiram to see a very good student production of Vagina Monologues. It snowed all the way home from Hiram but we were hovering in the mid-thirties, so nothing stuck. 

I'm backing up here, I hope you're not one of those people who gets motion sickness if you ride in the backwards-facing seats on the train.

A funny thing happened on the way to a day off. In fact it started as a half day off, I had quite a robust list of work for that afternoon, but I also knew that my energy was still flagging from the Great Whirling Beast that is AWP. I was drinking my coffee in bed, reading the newspaper, perfectly content to meander through a few articles and then pick up one of the books I'm reading, which I did. But in the space that opened during all this reading, relaxing and catching up, I started to ruminate on something that was in the news a week or two back. I didn't have much time then to fully take it in. The sort of story--unfortunately they are not rare--where the headline grabs you, and then the first paragraph snaps into your consciousness with such force you feel almost paralyzed. 

There are so many of them these days. But this particular article tapped into some source material for one of the books I am writing. (Yes, that is correct. Not only am I a reading slut, I am a writing slut as well, always shifting between manuscripts--I think I'd feel bereft if I only had one going at a time). I spent most of the day in a dance of news/novel/manuscript, during the course of which, I believe I stumbled on the key to a book I have been hoping to finish. 

I'm reluctant to say it's a key because once found, it seems stupidly obvious that this is the missing level of the manuscript. I mean, truly, stupidly, and obvious. It's not like I had entirely ommitted this level from the manuscript, but I had not perhaps fully conceived its central importance, how it undergirds so many of the poems. Pop the cork, it did, and three more poems came into the world that afternoon. 

I had not intended to be working on poems. If anything I'd have pulled up my prose manuscript--but such is the life of the writing slut. On a given day you never know exactly who will wind up dancing with you on the keys. 

I once attended a conference in which there was a presentation on Myers-Briggs Personality Types. The woman giving the talk was addressing one particular MBP Type, a type which is relatively rare in the general population. It was a small room, but standing room only spilling into the hallway--clearly this type was overrepresented at the conference--all of us eager to learn more about this one specific personality constellation. She began by saying You can tell this personality type by looking at their desks or inside their cars: stacks of projects in various states of incompletion spilling off every surface, food wrappers, piles of newspapers and magazines, books half read, etc. 

Okay, so I have mostly broken myself of the food wrapper lying around habit, and right now my car is (by my standards) extremely clear of debris--because I emptied it out after Boston. But this is the way I work, moving between a group of projects in parallel, in varying states of completion or current activity. I do it in my own writing and I do it at the press, and though it can look messy from the outside (even downright dizzying if you're more of a linear-sequential type), in the aggregate it is highly productive--for me. Not for some others I know. But for me, it permits near continuous forward progress. If I run out of steam, or hit a frustrating obstacle on one project, I just take a step sideways and plunge into another. The forward momentum of one carries over into another, and this not only prevents stasis, it tends to enliven everything I am doing. 

Yep, I am one of those who are easily bored. But you probably already figured that out. 

I'll leave you with a dark-of-night discovery, blearily noted as I was falling to sleep around midnight: something is glowing on the floor. The mind struggles to configure this pale but undeniable light source. Laptop screen? (Nope, I definitely did not leave the laptop on the floor, open, and besides it's smaller than the laptop and the wrong shape--but it is rectangular...) Flipping through the mental file of possible suspects I stopped at the novel I'd been reading earlier. OMG. They've put a glow-in-the-dark book jacket on it. It's so fitting, hilarious, given the book's subject. 

Some of you know which book I mean. 

with love,
sammy

 

glimpses from Boston

The wompus traveling valise,
loaded with copies of our first musical publication 
Book of Hooks, by Cornelius Eady.
(Photo courtesy Leah Umansky).
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